The Kindred in Blue & White Show

The show is up!
Thank you to everyone who was able to make it to the opening night- it was so lovely to meet you all. The work all looked so beautiful together at Bookhou! The best part was unpacking everything and both Krystal and I being so excited about each others' work.  I couldn't have been more pleased with how it all came together.  Since the show is all about a shared kindred spirit, we displayed it just this way- with a bit of Krystal's work, and then a bit of my work- side by side in small groupings.  It all looked so pretty together- I'm really glad we were able to take the opportunity to create this show.

These photos were taken by Arounna at Bookhou.  Arounna and John have such a fabulous shop and home- their work is so stunning too.  I managed to bring home some pieces I had been admiring for quite some time, although it was hard to choose.  They are really such a talented pair.  And of course, their children are absolutely beautiful!

There was a bit of talk about some 'Kindred' work being available online, but we will be sure to post this if it is going to happen.  There are a few more photos on my blog if you are interested!

A blue and white preview

 From the most subtle blues to the darker blues and just about everything in between, I think I've managed to fall in love with blue in a whole new way.  As is always the case when making new work, I had a few glaze issues that rose up out of the wood-work for me.  It's a good reminder that after 18 years I still haven't managed to master the medium.  The mere act of working in clay keeps me humble.  That said, there was lots that did turn out- beautifully too! 

The best part about this show will be seeing it all come together at the opening.  I can't wait!

Don't forget- the opening is Thursday from 6-9pm! See you then!

We're quickly approaching June 7th! Just wanted to post a quick preview of some of the pots that recently came out of the kiln. Working in a blue & white palette has been such a good change of pace for me. Sometimes creative restrictions can actually bring about refreshing changes. I'm loving this return to a more "traditional" colour scheme, yet have tried to approach it with a more modern & graphic sensibility and the response has been very positive! Another change is that I've been firing in my new studio, in a kiln that is more low-tech than I'm used to, but found that the firings have been very good.

Thank you to all of you who have already rsvp'd on our Facebook event page. We'd love to see you there. If you know of anyone who'd like to see the work, please pass along the details!

Okay, can't wait to see you all at the show & welcome Heather to our fair city!

-Krystal

Sneak peek...

Hi there!
 It's Heather here with a little up-date and sneak peek at what I unloaded out of the kiln today! Lots of pretty blues in all sorts of patterns! I was playing around with the sizes of patterns and shades of blue this past firing- for the most part I'm really pleased with what I took out of the kiln!  I ended up doing a bit of 'blind' glazing this last time around as I have been working with a new porcelain that is beautiful, white and translucent, however the glazes tend to be quite fuzzy where they meet the white glaze.  In spots it can look really nice, but occasionally I feel like it messes with the patterns a bit, so I'm going to have to watch out for how thick I apply the glazes the next time around. I also was hoping to expand my deep blue glazes, but am still working towards this.  I have quite a few pale and mid-range tones, but only the one deep indigo.  Hopefully this will change by the time I ship off the work!!

In other news, I up-dated my current website today to include a new video that has been in the works for the past little while.  One of my goals this year was to create a video of my hands at work in the studio.  I felt it was a good time to open up about how my work is made and just some of the steps taken to create the work I make.   I have a process that I have spent a few years developing to glaze and it's a method that really informs my work in a strong way.  Please take a moment to watch the video to catch a glimpse of my low-tech, time-intensive method of glazing.  It will make sense then why I'm so inspired by paper-cutting, quilts stripes and graphic, bold patterns reminiscent of textile prints.

Officially Invited